We’re on our penultimate book of the Thumping Good Read Award shortlist and we’re onto one of my favourites (Yes, ok I’ve said that before, but to be fair, they wouldn’t be on the list if I didn’t enjoy them!).
Before we get into The Other Woman – that didn’t come out quite the way I intended, but I’ll leave it there – I should let you know that there is only a day and a half left to vote for your favourite.
Head over to the WHSmith blog where you can find out more about the seven shortlisted titles – including the only one I’ve not featured yet One Of Us Is Lying (it’s another one of my favourites!). You have until the end of Friday 6thJuly to vote for your favourite and help decide who will win the £10,000 prize.
But back toThe Other Woman– what’s it about? It’s not about a mistress as you might initially think. Instead, it’s about a mother-in-law. Pammie.
You can just tell by that name that she’s going to be difficult, and boy does she cause trouble.
It’s been a couple of month since I read The Other Woman and I can still remember her name. I read a lot of books, all of them with a lot of characters and a lot of names. The plots stay with me – for better or for worse – but you can tell when a character is well-written, because they linger in your mind for ages.
The other way you can tell a character is well described is when you talk about the book with someone else, and you both say the character reminded you of the same person. In this instance @LucyHine and I both said Pammie was Bridget Jones’ mother.
This might be all you need to know about her… but I’m going to tell you more. At least about the book.
Emily meets Adam and they instantly fall head over heels with each other. Things are going really well right up to the moment Adam takes her to meet his mother. This is where things start to take a turn.
Adam and Emily argue on the way to see Pammie, their first proper argument, but this is overshadowed by Pammie’s reaction to Emily. In public, she’s all smiles, but in private, she undermines Emily, starts playing games.
Emily starts to wonder if she’s imagining things, but it soon becomes clear that Pammie has taken a dislike to Emily, and is intent on doing anything to split her and Adam up. Not that Adam can see this.
The whole book is like a car crash, you can’t help but watch it, though you know how badly things are going to turn out.
The decline of Adam and Emily’s relationship is gradual, as an outsider, we can see it happening, in the same way that we sometimes look at our friends relationships and can see that it’s not working. But when you’re Emily, when you’re in the middle of the relationship, you just can’t see it.
The Other Woman is a compelling slice of relationship drama with an antagonist that is so vivid and ever-present that it’s hard to shake her months later. The only problem is that the character development of Pammie comes at the detriment to some of the other characters.
An example: Emily has a best friend whose sole function in this story is to be Emily’s friend, he has no life of his own, at least one that’s not explored – the few times we meet him, he’s a mouthpiece to Emily’s issues, we learn nothing about him – barring a few identifying clichés – and we skim over the conversation that’s not about Emily.
Generally, that’s ok, secondary characters are secondary for a reason, but the problem here is that because the story is told from Emily’s point of view, it colours her character and she comes across as self-centred and a little vacuous, which in turn hinders the amount of sympathy we’re being asked to direct to her.
But it’s a little gripe and is made up for entirely by a memorable villain and a brilliant, unexpected ending. This book ain’t going where you think it’s going.
The Other Woman is published by Pan and is available now as part of the Thumping Good Read award in WHSmith stores.