It’s lunchtime on a Sunday as I write this. That is where this blog post begins.
Except for you, it’s at least 2pm on Thursday, likely later than that, so maybe that’s where this blog post begins?
Or perhaps it started when a colleague – let’s call her Ginger Spice (again) – handed me a copy of The Fact of a Body by Alexandra Marzano-Lesnevich. Or when she first told me how great it was…
I could go on. And that’s the point.
The Fact of a Body is the true story of Marzano-Lesnevich’s mission to understand why Ricky Langley’s case struck a chord with her to the point that she couldn’t not investigate it.
Langley has been tried and convicted of killing six year old Jeremy Guillory and Marzano-Lesnevich first comes across him, when interning for a legal firm specializing in death-row appeals, she sees a video of Langley’s confession.
For her, that is where her story begins, but as she says herself, it also started elsewhere, some many years ago. Something that Marzano-Lesnevichrefers to herself in the introduction to the book, when she talks about an American legal case – Palsgraf v Long Island Railroad Co. The Palsgraf case is used to illustrate proximate cause.
Proximate cause refers to the start of a chain of events – which as we begin to discover, can sometimes be traced further and further back. The question becomes… when do you start that chain of events.
At first, I was expecting a legal investigation into Langley’s case, something along the lines of the podcast Serial, so I was slightly surprised when Marzano-Lesnevich started talking about her own childhood.
As we move through the book though, it becomes clear, this isn’t your typical straightforward exploration of a legal case. It’s a personal journey for the author, exploring what happened to her, at the same time, exploring why Langley did what he did.
I’m not sure what I think of this book. It’s page-turning, fascinating and structured in a way that more information is revealed as you go along – it’s never boring.
The Langley case is heartbreaking, and so thought provoking. The author does a good job of balancing both sides carefully. What Langley did to Jeremy is monstrous, but we learn more about Langley’s family history which in itself is inherently sad.
Where this doesn’t quite work for me is the author’s personal story. Horrible things occurred to her, but barring one or two times, I failed to connect to her emotionally.
The story was almost split three ways – Langley and his crime, young Alexandria and the crime that happened to her, and the older version of her who dominated much of the book. For me, it took too long for the relevance of all three parts to truly connect.
Having said that, I would definitely recommend this book – though it probably ought to come with a trigger warning.
This is the end of my review (Or is it?)